An Interview With Comedian And Actor Brett Klein




Brett Klein is a comedian and actor who was a member of the Second City Teen Troupe; here is a link to his website:






Q: What made you want to be a comedian?


A: I was in a school play when I was 8 and got the biggest laugh of the show. The crowd’s roar felt better than anything I had experienced. I was okay at sports, but never a star… So, this was the first place I got real praise. I began making kids laugh in class, and then eventually my teacher recommended I take improv camps at The Second City in Detroit. As soon as I turned 12, I made my parents sign me up for the teen camp and knew from that moment on I wanted to make people laugh for a living. I was eventually selected for The Second City’s Teen Troupe, but then it disbanded when the theater closed down. I was 16 and hungry to get on stage, so I started doing stand up.


Q: How were you selected to be in Second City’s teen troupe?


A: I probably took more summer programs than anyone else in The Second City’s youth training center. I remember they let me take an extra camp for free once, because they needed more people. I placed into their advanced summer class and then was invited to audition for the teen troupe. The troupe had a short run, with practices every week and a show once a month.


Q: To what method of acting do you ascribe?


A: I received my BFA in Acting from Michigan State University, which teaches a number of methods. I’ve been trained in classical, contemporary, musical theatre, film and commercial. We learned various tools and exercises in vulnerability, listening, scoring, voice, movement, etc… Just the workload from that degree and performing in shows makes you a more disciplined actor. We learn about Stanislavski and “method acting”, but I (as well as my professors) have mixed feelings about the concept. It is useful to live offstage as your character for exercises and to learn more about how your character would respond in different situations. However, it is also important to be able to turn it off and not lose yourself. Don’t be a jerk to your cast and crew. Also, the most interesting part of acting to watch is an honest reaction between two scene partners. If you are so obsessed with just your own character, you will lose the objective and connection with your scene partner – this will create a very two-dimensional performance.



Q: What makes your stand up routine unique?


A: I incorporate music and spoken bits, which are inspired from my life and other random thoughts. My act has been described as “comedy with ADD”. I often will bring up a guitar and play original songs and raps, with jokes scattered in between. Just out of college, a fair amount of material has been inspired from college life. I try to bring a lot of energy to the stage and make it a performance with some physical comedy rather than just a guy reciting jokes. This is particularly the case in my rap song, “Kosher Sausage”.


Q: Who are some of your comedic influences?


A: Stand Up:

Stephen Lynch, Flight of the Conchords, Steve Martin, Mitch Hedberg, Patton Oswalt, Eddie Murphy, Louis CK, Dave Chappelle, Robin Williams, Jim Jefferies and Bill Cosby.



Chris Farley, John Belushi, Dana Carvey, Mike Myers, Adam Sandler, Chevy Chase, Will Ferrell and Dan Aykroyd.


Also, a number of national headliners who aren’t as famous, but I’ve worked with and/or seen a lot:

J Chris Newberg, Dave Landau, Bill Bushart, Chris D’Elia, Buddy Bolton.


Q: How do you deal with a heckler?


A: I’ve only had a malicious heckler a few times. People usually just think they’re helping the show or are just drunk and talking a lot. There are stock lines, like, “I don’t slap the dick out of your mouth while you’re trying to make a living,” or, “How about we switch places, where you come on stage and I’ll go in the parking lot and blow four dudes!” …While lines like these can be helpful if you’re stuck, sometimes it’s better to ask the heckler questions and figure out why they’re being such a dingus. It’s not a normal thing to heckle and usually they will make themselves vulnerable and sound like an idiot on their own. Also, the crowd typically hates hecklers unless the comic is ignorant and racist. So they are usually on your side no matter what you say. Even if a comic is bombing, crowds typically feel bad for him/her as a human being and don’t want to see a heckler win. Sometimes though, people just suck and you might have a bad night. Just get up and do it again.


Q: What is The King about?


A: The King is a comedy/thriller shot in Detroit and written by Dave Landau (Last Comic Standing, Comedy Central), Sebastian Oberst (Bones, Weeds) and director Ken Kuykendall. It’s a coming of age tale about a kid who gets his first car. Him and his three other friends go on an adventure in the projects of Detroit and all hell breaks loose. You can read about it and watch the trailer at the link below:


Q: What role do you play?


A: I play the nerdy Matt Kegler, who is the best friend of Jesse (the protagonist). Matt is one of the four leads and is essentially the embodiment of high school insecurity. Friends and popularity are a battle for him, which is why he is so loyal to Jesse. Him and Klaw (Jesse’s other friend) hate each other and there is constant tension. While in many ways Matt is a weak character with bad luck, he also has a sense of bravery and strength in that he will stand up for what he believes is right. Much of the comedic relief comes at his expense. When I read the script, I knew this was exactly the type of movie I wanted to work on. Matt really reminded me of myself in high school. I was very excited when Dave gave me the role.



Q: What kind of day job do you have and how does it influence your comedy?


A: My day job is working as a freelance comedy writer for United Stations Radio Networks. I write parody songs and audio sketches for radio stations around the country. The company has a phenomenal writing team with award winning comics from around the city. I interned there last summer and began submitting scripts. They started accepting some and helped me workshop sketches. Once I left, they kept taking my material and I began making decent money. I moved back to NYC after graduation, so I could pursue stand up, acting and come into the studio to write. I’m the rookie on the team and it’s given me sort of a home base in the city. It’s really beneficial, because I get paid to work on my craft for a different format. Also, it’s a great place for me to network with other comics and performers in NYC.



Q: What’s funny about NYC?


A: NYC is ridiculous. The amount of insanity you witness every day is entertaining and often disturbing. Just a few days ago, I saw a guy masturbating in public right outside of the office. In addition to the crazies of NYC, the comedy scene there is probably the best in the world. You can get on stage multiple times in a night and there are tons of clubs and venues. Someone who’d be a headliner in the Midwest will pop in for an open mic. I’ve had to follow established comics from Comedy Central, The Tonight Show, MTV, HBO etc. It really makes you step up your game to keep up. Crowds are also tougher in NY than in Michigan. You need much harder hitting and tight material to get booked in NYC. The best of the best are there, and clubs can book them easily. I was getting booked to feature and MC regularly in the Midwest. Now, I feel like I’m starting back at square one. There is a lot of bad comedy in NYC, but also a hell of a lot more great comedy. It’s everything x1000, which makes it more difficult to stand out. It’s making me realize how far I’ve come, but also how far I still have to go.






Please note; Eliza’s interviews are done by email. All answers are unedited and come right from the lovely fingertips of her subjects:)


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